"The first crime is becoming civilized."
“Riddick” is clever, smart, funny, brutal, and a careful study of the
character that Vin Diesel made famous in the 2000 film "Pitch Black."
Riddick finds our infamous escaped convict in bad shape and looking for a ride
home. Produced by Diesel, and written
and directed by David Twohy, this third film depicts Riddick in a different
light. For those who cared less for the
first two films won't care much for this episode. On the other hand, this film is made for
those out there who have been clamoring for more of the Furyan, Riddick.
The first film, "Pitch Black" made on a budget of $23 million, made
about $39 million domestically and another $13 million in foreign sakes. The second film, "The Chronicles of
Riddick," was epic in
nature. The film had an epic budget of
$105 million and a story that spanned several planets and special effects that
were also grander in scale. In spite of
the low critic ratings, Twohy and Diesel decided to give the fans something new
to chew on.
"There are bad days, and there are legendary bad days. The whole damn planet wants a piece of me."
The bridge between "The Chronicles of
Riddick" is detailed in the first 15 minutes. Choosing to narrate the sordid details of his
fall from the throne of the Lord Marshal, Riddick reminds me of a down and
out gumshoe from a detective novel. Why not, he was left for dead with a broken
leg on a desert planet. He fixes his own
leg (by re-breaking it - and he even puts in his own screws to keep the bone in place) and makes friends with the CGI created local
wild dog-like creatures. It's an animal
thing. There is a humane and playful
side to Riddick. There is also the
ruthless and brutal side as well. Like "Pitch Black," "Riddick" stays on one planet and deals with the
deadly creatures this planet has to offer.
After finding a tin shed in the middle of nowhere, the place
turns out to be a mercenary/bounty hunter outpost. The place is a rest stop and is open
to all Marcs. Riddick sends a beacon and
lets all who cares know that he is on the planet: Richard B. Riddick,
murderer. The first to arrive
are Santana (Jordi MollĂ - "Knightand Day") and his crew of bounty hunters that seem to be
Hispanic characters from the "Wild
Bunch," or "The Three Amigos.” The second to arrive is a more organized
group of bounty hunters -- they have matching uniforms and badges. They are led by Boss Johns -- yes the father
of William J. Johns, the bounty hunter from "Pitch Black.” Second in command is badass Katee
Sackhoff ("Battlestar Galactica") as Dahl. The two crews totals 11 against Riddick, not
fair, you say? You are correct, it is
unfair, and the crew needs to double that number to make it a fair fight.
The lull before the storm comes near the middle of the film
where we have to put up with the two crews squabbling for the right to
kill Riddick and Dahl kicking Santana's ass a few times, we find the two
crews forming an uneasy alliance in order to take on Riddick. The fact of the matter is, Diesel and
Twohy decided to return to the core story in "Pitch
Black" so that they can
reboot their own franchise. In fact, the
scene where the surviving bounty hunters are about to decide Riddick's fate,
chained and subdued, he tells Johns the tale of how his son met his fate. Same number of crash survivors, deadly
creatures outside on a dark and rainy night.
The similarities are as striking as the differences in the two films. Once again, Riddick is in chains, both time
held by man with the last name of Johns.
Both times, he clangs the chains and makes menacing predictions of their
fates.
The differences are in directing styles, and in the amount of
time that Riddick's character is built into something more than your usual
anti-hero trope. The man is lonely, he
is homesick, he is humane to animals that are friendly to him, and he is
utilitarian in how he goes about killing all who threatens him. The two are working, not only to move to more
sequels but to making this vicious character into something
more likable or at least understandable. The action scenes are fun, and paced out
throughout the film. There are new types
of space ships and the now familiar motorcycles that were popularized in the "Star Wars" films, and seen similar models in "Priest" and in "Star Trek." The
creatures on planet M-334/G were nocturnal Raptor-like creatures while on
this Not-Furya planet, they are weird looking, and water bound,
snake-like, venomous scorpion creatures.
"Leave God out of this, he wants no part of this!"
While Riddick is main character, the members of the bounty hunter crews help support to build the atmosphere as Santana's crew know of and fear Riddick's reputation. While on Johns' crew, Dahl is the big standout. Although Dahl states emphatically that she doesn't do men, her inner – Starbuck character stands out. Musically, the film is reminiscent of "Pitch Black" in many ways. Graeme Revell who wrote the original score for "Pitch Black" writes new music but weaves familiar themes back into this film.
In Theaters September 6th, 2013.
Related
Riddick - Creature Trailers
Riddick ~ Motion Comic
Riddick ~ Cinema Spot
Riddick Rule The Dark ~ New Poster
Riddick ~ New Trailer
Riddick Is Back!
Riddick ~ Motion Comic
Riddick ~ Cinema Spot
Riddick Rule The Dark ~ New Poster
Riddick ~ New Trailer
Riddick Is Back!
Movie Data
Genre: Action, Sci-Fi
Year: 2013
Staring: Vin Diesel, Karl Urban, Katee Sackhoff
Director: David Twohy
Producer(s): Vin Diesel, Ted Field, Samantha Vincent
Writer: David Twohy, Jim Wheat
Rating: R
Running Time: 119 minutes
Release Date: 9/6/2013
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